Starting From Now
Women's Dramas & Series

Starting From Now: Indulgence Born of Deficiency, an Existential Hunger Projected onto the Precarious Relationship of Steph and Darcy

We often borrow the mirror of “the other” to define our own existence. Within the relationships between women, the subtle fractures and gravitational pulls often contain desperate existential layers that transcend mere affection, touching upon survival and self-discovery. The text we read today is a record of an intensely realistic and painful cycle of solidarity and severance, woven by four women against the backdrop of daily life in Sydney, under the sweltering Australian sun.

[Starting From Now] Production Information

CategoryDetails
TitleStarting From Now (2014–2016)
DirectorJulie Kalceff
CastSarah de Possesse (Steph Fraser) / Rosie Lourde (Darcy Peters) / Lauren Orrell (Kristen Sheriden) / Bianca Bradey (Emily Rochford)
Year/Country2014–2016 / Australia

🌓 Gaze Born of Transparent Fractures: The Fragments of Self Confronted by Steph and Darcy

The tragedy of every relationship begins at the moment one discovers “the other who recognizes me.” The core of any Starting From Now interpretation lies in the fact that this forbidden attraction is not a moral defect, but an eruption of a suppressed self. Steph Fraser was a character drifting within a stable orbit of life, but through the mirror of Darcy Peters, she finally encounters the desires hidden deep within her. 💭 Their relationship is less a romantic rhetoric of love and more an alliance of “dangerous partners” conspiring in their mutual vulnerability.

What Steph discovered in Darcy was a desperation to have her essence validated, reaching beyond the common denominator of literary taste. Conversely, for Darcy Peters, who grapples with alcohol dependency and psychological instability, Steph functions as the sole sanctuary capable of sustaining her crumbling daily life. ⭐ As the famous line goes, “We can choose the moment we decide who we are,” these two begin to reconstruct their true selves only by destroying one another.


🌊 Control in the Name of Devotion: The Inevitable Collapse and Ending of Kristen and Darcy

We often fall into the arrogance of believing that loving someone can “save” them. On the path toward the Starting From Now ending, the most aching figure is Kristen Sheriden. The devotion she pours into Darcy appears noble, yet beneath it lies an avoidance that seeks to cover up rather than confront her partner’s problems, coupled with a latent sense of control. 💔 Kristen‘s love possesses an inertia that taxidermies Darcy into a dependent being rather than allowing her to breathe.

The collapse of their relationship was caused not so much by an external factor like Steph, but by a pre-existing absence of trust that was already rotting from within. Paradoxically, the end of the Kristen Sheriden relationship becomes a catalyst for a painful growth, teaching her to withdraw the obsession she projected onto another and stand entirely on her own. This paradoxical psychological tension—where oxygen becomes scarce as the density of the relationship increases—starkly illustrates the struggle between the exclusivity of relationships and the freedom experienced by modern women.


⚖️ Between a Realistic Future and Passionate Desire: The Measure of Maturity Suggested by Emily

In the triangular dynamic of these relationships, Emily Rochford occupies the most heterogenous yet fascinating coordinate. Appearing as Steph‘s colleague, she maintains a mature independence, unlike the other characters immersed in a maelstrom of emotion. In the context of the Steph Fraser relationship, Emily stands as the antithesis to Darcy—who brings passionate destruction—offering instead a stable and sustainable form of life. ✨ She is a character who proves through her own being that love is not just an explosion of emotion, but a skill for navigating daily life together.

The conflict Steph experiences between Darcy and Emily is not a simple narrative of two-timing. It is an existential choice between “a love that destroys me” and “a love that builds me.” 🌿 Starting From Now does not beautify this process of choice. By projecting the realistic isolation and survival instincts unique to queer narratives, it deeply contemplates the ethical dilemmas women face when proactively charting their own lives.


🎬 Criticism & Contemporary Implications: Consolation Offered by a Documentary of Daily Life

The reason this series garnered such an explosive global response is that it did not package the lives of queer women in flamboyant mise-en-scène. Director Julie Kalceff turned the limitations of a low-budget web series into a “raw” sense of realism. The shaky camera and unrefined noise provide a staggering intimacy, as if we are present in their Sydney apartment living room.

To modern women, this work asks: Is your devotion for the other, or is it to silence your own anxiety? And what have you gained through loss? Through the ironic process of growth—finding oneself only after losing someone—Starting From Now declares that even solitude is a dignified part of life.


[Violet Screen’s Curation: Recommended Women’s Narratives]

  • Film <Blue Is the Warmest Color>: For those who wish to explore the passion of first love and the alienation caused by class differences.
  • Drama <Dickinson>: For those who desire a narrative of a woman releasing her self through art and relationships within a restrictive era.

When was your ‘Starting From Now’? If there is a version of yourself that you only discovered after losing a loved one, please share it in the comments. I look forward to hearing your precious experiences where a parting from another led to an encounter with yourself. 💬


📰 Meta

Meta Description: Analyze the complex relationships in Starting From Now. Explore how the struggles of Steph, Darcy, and Kristen illuminate modern women’s existential hunger.

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